What happens when two hustlers strike the road and among them suffers from narcolepsy, a slumber disorder that causes him to quickly and randomly fall asleep?
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Considering the myriad of podcasts that stimulate us to welcome brutal murderers into our earbuds each week (And exactly how eager many of us are to take action), it might be hard to imagine a time when serial killers were a truly taboo subject. In many ways, we have “The Silence of the Lambs” to thank for that paradigm shift. Jonathan Demme’s film did as much to humanize depraved criminals as any bit of present-day art, thanks in large part to your chillingly magnetic performance from Anthony Hopkins.
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It’s hard to assume any on the ESPN’s “thirty for thirty” collection that define the modern sports documentary would have existed without Steve James’ seminal “Hoop Dreams,” a five-year undertaking in which the filmmaker tracks the experiences of two African-American teens intent on joining the NBA.
We can easily never be sure who’s who in this film, and whether the blood on their hands is real or a diabolical trick. That being said, one thing about “Lost Highway” is completely mounted: This will be the Lynch movie that’s the most of its time. Not in a bad way, of course, though the film just screams
In the films of David Fincher, everybody needs a foil. His movies generally boil down for the elastic push-and-pull between diametrically opposed characters who reveal themselves through the tension of whatever ties them together.
James Cameron’s 1991 blockbuster (to wit, over half a billion bucks in worldwide returns) is consistently — and rightly — hailed as being the best of the sprawling apocalyptic franchise about the need not to misjudge both Arnold Schwarzenegger and Linda Hamilton.
From the very first scene, which ends with an empty can of insecticide rolling down a road for thus long that you'll be able to’t help but question yourself a litany of instructive queries when you watch it (e.g. “Why is Kiarostami showing us this instead of Sabzian’s arrest?” “What does it recommend about the artifice of this story’s design?”), to your courtroom scenes that are dictated from the demands of Kiarostami’s camera, and then for the soul-altering finale, which finds a tearful Sabzian collapsing into the arms of spankbang his personal hero, “Close-Up” convincingly illustrates how cinema has the opportunity to transform The material of life itself.
None of this would have been possible Otherwise for Jim Carrey’s career-defining performance. No other actor could have captured the blend of Pleasure and darkness that made Truman Burbank so captivating to both the fictional audience watching his show and the moviegoers in 1998.
But Makhmalbaf’s storytelling praxis is so patient and full of temerity that the film outgrows its verité-style portrait and becomes something mythopoetic. Like the allegory from the huge boobs cave in Plato’s “Republic,” “The Apple” is ultimately an epistemological tale — a timeless parable that distills the wonders of the liberated life. —NW
In “Odd Days,” the love-sick grifter Lenny Nero (Ralph Fiennes), who sells people’s memories for bio-VR escapism about the blackmarket, becomes embroiled in an enormous conspiracy when certainly one of his clients captures footage of a heinous crime – the murder of the Black political hip hop artist.
That Stanley Tong’s “Rumble from the Bronx” emerged from that shame of riches since the only Hong Kong action movie on this list is both a perverse testament to the fact that everyone has their personal personal favorites — How will you pick between “Hard Boiled” and “Bullet within roxie sinner the Head?” — as well as a clear reminder that one particular star managed to fight his way above the fray and conquer the world without leaving home behind.
When Satoshi Kon died from pancreatic cancer in 2010 in the tragically premature age of forty six, not only did the film world drop one of its greatest storytellers, it also lost one among its most gifted seers. No-one experienced a more precise grasp on how the electronic age would see fiction and reality bleed into each other to the most private levels of human perception, and all four from the wildly different features that he made in his temporary career (along with his masterful Tv set show, “Paranoia Agent”) threesome sex are bound together by a shared preoccupation with huge boobs the fragility from the self in the shadow of mass media.